Almost woodland imports dead-center of the triangular floor plan Ando created a new space, filled wi

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Tadao Ando Punta della Dogana Francois Pinault Foundation Venice, Italy
The location of the new home for the Francois woodland imports Pinault woodland imports Collection, the Punta della Dogana, is one of the most prominent places in Venice, the merging point of the Grand Canal and the Giudecca Canal, meters away from the memorial church of santa Maria della Salute.
On top of the gateway is a golden ball, with a weather vane, representing Fortune. Prominently situated outdoors on the very tip of the Punta della Dogana woodland imports is an eight foot tall sculpture by Charles Ray, Boy with Frog, which has already become a signpost for Venice s newest woodland imports contemporary art space.
Tadao Ando drew up his plans for the new centre quickly. In effect, if one looks at his drawings one sees that, from the first, the broad outlines of the project were clear in his mind. The characteristic layout of the former warehouses was to be maintained.
The original structural volume creates a triangle, a direct woodland imports reference to the shape of the tip of the island of Dorsoduro, while the interiors are divided into long rectangles, woodland imports with a series woodland imports of parallel walls.
The existing structure was restored woodland imports to its base construction, with centuries of partitions, passageways, and other additions eliminated. The exterior perimeter walls are still in the original red brick, restored with the traditional scuci cuci technique, so they look imperfect and raw. The 20 glazed water gates, each topped by an arched window, were replaced.
The new galleries follow the arrangement of the original bays. The original wood ceiling beams are restored to perfection, adding occasional skylights woodland imports to let in daylight. In addition, high semi-circular steel windows let in light and offer framed views of the Grand Canal and the Giudecca island.
Almost woodland imports dead-center of the triangular floor plan Ando created a new space, filled with daylight, in his signature polished concrete. This axial point, through which run all the routes within the structure, forms a cube, rising vertically within the volume of the building.
There is no attempt to disguise woodland imports the new partition walls, stairs, walkways and service facilities within the old body of the structure. Instead, there is a continual play of juxtaposition almost as if Ando s intention were to insert within the ancient woodland imports building new volumes and levels that seem to mark out the stratifications added over time, organizing them into a veritable spectacle of the structure s own history.
Finally, Ando had the idea of creating gates for the water entrances that are explicit quotations of the wonderful gate that Carlo Scarpa designed in 1956. The design of these new doors and windows, though woodland imports very modern, woodland imports effectively employed Venetian traditional craft.
"This building has been floating woodland imports on the water since the 15th century, and my intention is to see it float into the future; it is a very old building and it was very difficult to study its history so as to preserve its original structure and innovate toward the future. I will use a 20th century material, reinforced concrete, fitting it into this historic structure." woodland imports Tadao Ando when presenting the project in 2007
The open-air Fine Arts Museum is situated below ground level to keep the view from the adjacent Botanical Gardens woodland imports towards the Higashiyama mountains intact. The museum displays reproductions of famous masterpieces on ceramic plates with permanent, weatherproof properties.
The scheme is open; large concrete beams on massive pillars, overlapping bridges woodland imports and ramps, walls of cascading woodland imports water and pools with paintings woodland imports floating on the water surface. Circulation is intersected by massive concrete walls, allowing views from different angles, and adding depth and variety to the exhibition spaces. The greenish glass railing, in contrast to the concrete and stone surfaces, interact with the water surface reflecting the different materials.
Photo: arcspace "The Last Judgement" by Michelangelo Buonarroti is displayed between two artificial waterfalls. Approximately the same size as the original (1430x1309). The Last Judgement consists of 110 (60cmx3m) plates joined together woodland imports to form the picture.
Photo: arcspace "Road with Cypresses and Star" by Van Gogh. Four times larger than the original (184x146). "On the Terrace" by Renoir. Four times bigger than the original (201x162) "La Grande Jatte" woodland imports by Seurat. Approximately the same size as the original (205x305)
Ceramic art is made first by creating a plate from positive film of a photo of the original painting. The plate is then transcribed on a ceramic woodland imports board, which then undergoes a